It’s the biggest sing-along in Flume’s current tour, but it’s not the ultimate climax, which is also a sign of how awesome Flume is. It’s four-times platinum in Australia, his first platinum song in the United States, with charting positions in 17 countries around the world. This is the biggest moment in Flume’s career to date. If anyone says they’ve had enough of it, they’re lying. This is one of the most relatable moments on Skin. He called her up, and a few days later, the new buds had this anthem to show for it. This is the song that plays when you’re running in the rain toward your soul mate, you know?Ĭool story: Flume was inspired to work with Tove Lo after he heard her hit “Habits” in a Los Angeles bar moments after getting out of a Kanye West show. You’ve got to chase it, and these dramatic strings are perfect for the occasion. Listening to this song feels like love waits just around the corner. Disclosure already had a massive joint on its hands. You know your remix is tight when it gets its own music video. Chet now goes by his birth name Nick Murphy, for your future reference, though he sounds just as sultry sexy cool, and this collab is definitely one of both artists’ bests. Major super jam alert! This gem is track one of three on the Lockjaw EP collaborative project between Future Classics friends Flume and Chet Faker. Also, that little squeal in the middle there kind of sounds like a guinea pig. This is a hold you cell phone light to the sky moment. This is a put your hand on your heart and sway kind of sing-along. It was only a promo single, not even given it’s own official single release, but it’s certainly one of the artist’s most magical. It went double-platinum in his home country, and still strikes a deep chord in the hearts of fans whenever its stark and solemn intro rings through the air. It grabbed a lot of ears and saw the young producer nominated for the Australian Recording Industry’s Song of the Year. This seminal track comes from Flume’s debut self-titled LP, released in November 2012. The beat underneath somehow remains the star amid all that powerful identity. Flume wisely paired the California rapper’s rough and instantly recognizable rap with the charming softness of fellow Aussie Ku?ka. Vince Staples does not mess with a beat unless it’s dark, different, and damn cool. Flume is educating and enlightening the American masses, one tripped-out and abrasive song at a time.Ĩ. It’s all of those things paired with the fact that it managed to crack the top 30 on the Hot Dance/Electronic charts. It’s not that it has a cuss-word in the title, or that it stands out as unique in Flume’s song catalogue. The best part about “Wall Fuck” is not how weird and challenging it it. If you’ve got a weird friend who’s still never heard Flume before, this would be a perfect way to introduce said sub-rock dweller. It’s got that signature lazy rhythm, that chunky hand-clap beat, those wonky synths. “Sleepless” was the winning submission, and it was subsequently released as his official debut. Flume – “Sleepless” feat. Jezzabelle Doranįlume was signed to his Future Classics when he won an original production competition. Flume Debuts 'Heater' in Promo Clip for Australian 'Lockout Law' Protestġ0.
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Specific volume, enthalpy and entropy of compressed water. Hot and cold water service systems - design properties, capacities, sizing and more.Ĭompressed Water - Properties vs. Steam & condensate systems- properties, capacities, pipe sizing, systems configuration and more. Material properties of gases, fluids and solids - densities, specific heats, viscosities and more. Temperature - Imperial Units Temperatureĭensities of solids, liquids and gases. Specific gravity (SG) for water is given for four different reference temperatures (39.2, 59, 60 and 68☏).įrom 32 to 212☏ the pressure is 14.7 psi, and for temperatures >212☏, the pressure is equal to water saturation pressure. Specific gravity (SG) for water is given for four different reference temperatures (4, 15, 15.6 and 20☌).įrom 0 to 100☌ the pressure is 1 atm, and for temperatures >100☌, the pressure is equal to water saturation pressure. See also Water Boiling points at high pressure, Boiling points at vacuum pressure, Density, specific weight and thermal expansion coefficient, Dynamic and kinematic viscosity, Enthalpy and entropy, Heat of vaporization, Ionization Constant, pK w, of normal and heavy water, Melting points at high pressure, Saturation pressure, Specific heat (heat capacity) and Specific volume for online calculatores, and similar figures and tables as shown below. See Water and Heavy Water - thermodynamic properties. Specific gravity of liquid water ranging 32 - 700 o F and 0 - 370 o C is given in figures and tables below: Specific Gravity - SG - is dimensionless and has the same value in the SI system and the Imperial English system (BG). The temperature and pressure must always be specified for both the sample and the reference. Pressure is nearly always 1 atm (101.325 kPa). For gases it is air at room temperature (25☌). Water is normally also used as reference when calculating the specific gravity for solids. related to crude oils and petroleum products. However, also the density at 60 ☏ (15.6☌) or 20 ☌ is often used as the reference temperature, e.g. It is most common to use the density of water at 4 o C (39 o F) as a reference since water at this point has its highest density of 1000 kg/m 3 or 1.940 sl/ft 3. Ρ substance = density of the fluid or substance Specific Gravity (= Relative Density) - SG - is a dimensionless unit defined as the ratio of the density of a substance to the density of a reference substance - at a specified temperature and pressure, and can be expressed as Help > Keyboard Shortcut Reference displays a condensed PDF version suitable for printing as an easy reference.īelow are links to the three platform-specific versions (US English keyboard): We also have a printable version of these keyboard shortcuts. Tip: Click on an extension tile above to read the description and reviews to decide which extension is best for you. There is also a Keymaps category of extensions in the Marketplace. These extensions modify the VS Code shortcuts to match those of other editors so you don't need to learn new keyboard shortcuts. shows you a list of popular keymap extensions. To help with this, File > Preferences > Migrate Keyboard Shortcuts from. Keyboard shortcuts are vital to productivity and changing keyboarding habits can be tough. The dialog to enter key binding will assign the correct and desired key binding as per your keyboard layout.įor doing more advanced keyboard shortcut customization, read Advanced Customization. For example, key binding Cmd+\ in US keyboard layout will be shown as Ctrl+Shift+Alt+Cmd+7 when layout is changed to German. Most importantly, you can see keybindings according to your keyboard layout. You can open this editor by going to the menu under File > Preferences > Keyboard Shortcuts. It also has a search box on the top that helps you in finding commands or keybindings. It lists all available commands with and without keybindings and you can easily change / remove / reset their keybindings using the available actions. Visual Studio Code provides a rich and easy keyboard shortcuts editing experience using Keyboard Shortcuts editor. If you need the key bindings for another platform, hover your mouse over the key you are interested in. If you visit using Windows or Linux, you will see the keys for that platform. Note: If you visit this page on a Mac, you will see the key bindings for the Mac. This page lists out the default bindings (keyboard shortcuts) and describes how you can update them. Visual Studio Code lets you perform most tasks directly from the keyboard. Configure IntelliSense for cross-compiling. 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Beautiful round gauges, each in their own pod, have a crisp, elegant look and the band of anodized aluminum trim that spans the dash adds some great contrast and isn't pitted or damaged. Buckets and a console were the only way to get your 'Bird in 1963, along with the "Tilt-Away" steering wheel that really does make it easier to get in and out of the low-slung convertible. The bright red interior is equally stunning, a beautiful mix of '60s cool design and high-end luxury, and we believe it's entirely original. This handsome T-Bird is still a one-car parade anywhere it goes. And yes, there's a ton of chrome, all of it in fair condition, from the delicate trim that runs along the tops of the fenders, doors, and quarters to the "gills" on the doors themselves, to the jet-inspired taillights. Experts will note that the rear fender skirts were removed to make way for the Kelsey-Hayes wire wheels, and the sporty look helps camouflage the car's size. It appears to be mostly original with an older repaint, so it's not a show car but man, does this sucker look dramatic! Shockingly, these are unit-body cars, but Ford engineered them well and even 50 years later, the doors fit well, the hood latches easily, and those long quarter panels are in good shape, worthy of the black paint. Please ask for the full description.Ĭode A Raven Black with a code 55 red interior is this car's original color combination and there are scarcely any better choices for a sporting ragtop. And yes, there's a ton of chrome, all of it in fair condition, from the delicate trim that runs along the tops of the fenders, doors, and quarters to. And to answer your very first question, yes, this is a real code 76B Sport Roadster, making it a very rare find indeed.Ĭode A Raven Black with a code 55 red interior is this car's original color combination and there are scarcely any better choices for a sporting ragtop. Today, the 1961-1963 "Bullet Birds" are some of the most rapidly appreciating models, with cars like this 1963 Thunderbird Sport Roadster offering full-sized luxury and comfort with fantastic good looks. Two-seat Thunderbirds are cute, but when Ford added a back seat, sales really took off. TRUE CODE 76B SPORTS ROADSTER, Z-CODE 390 V8-4V, CRUISE-O-MATIC, PS/PB/PW/PT!! Minimalist resume templates-Created for those whose experience speaks for themselves, these templates offer a clean and professional look. 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As you go back in time, limit the number of bullet points under each entry.Start with your current or most recent position, then follow it with the one before it, and so on. List your jobs in reverse-chronological order.by % through implementing a new system of.Maybe you saved your company money? Boosted sales? Optimized processes? Trained new employees? Show it off! Have a look:.Don't just list your responsibilities.Focus on what applies to the job you're trying to land, don't cram your resume with unnecessary details. For example, you cannot subscribe to Spectrum Mobileplans if you are not a Spectrum Internet customer. The Spectrum Internet is the epicenter of every single bundle deal that Spectrum has on offer. Loyal Spectrum customers know that most of Spectrum’s services are tied to its broadband. The expression “can’t have one without the other” aptly fits this situation.
TriPeaks - Clear cards in a tableau shaped as three triangles by matching cards that are one rank higher or lower than waste pile cards.Pyramid Solitaire - Cards are organized in a pyramid shape, and you remove cards by pairing ones that add to 13.FreeCell - Use 4 open cells where you can place any card as you organize a tableau of face-up cards.Spider Solitaire - Play with 1, 2, or 4 suits and arrange cards into 8 foundations that represent the 8 legs of a spider.Turn 3 is a harder game than Turn 1, which has a 33.0% win rate, as you can only play every third card from the stock pile into the game. We looked at 1,429,916 random games played. Solitaire Turn 3 is considered medium in difficulty. Lastly, you can also always start a new winnable or random game at any time. You can use our hint button to help you identify which cards to move or our undo button to try different moves. Only Kings can be moved to an empty tableau column which can help free up cards. Look to clear a tableau column when you have a King available.If you're stuck, see if pulling down a card from the foundation lets you make another move on the tableau. For example, you may find that the first card from the stock pile can create a sequence, which can then help reveal another card. However, you should consider the first card in the stock pile as part of your option set to make your initial moves. You want to make as many moves as possible within the tableau to start the game. Turn over the first card from the stock pile when starting.It's important to focus on revealing these cards first if possible, as the shorter tableau columns have fewer cards and therefore are easier to surface. Many of these cards may be important to sequence and solve the game. The last two columns in the tableau have 11 cards unrevealed. Try to reveal cards in the larger tableau columns first.For example, if an Ace of Spades is placed on a foundation pile, the only card that can go on top is a 2 of Spades, and then a 3 of Spades, until the full stack through King of Spades is built. The foundation piles must be started with an Ace first and then built using the same suit. Moving cards to the foundation: Move cards to the foundation when available.Moving tableau cards from column to column: Individual or stacks of sequenced cards in the tableau can be moved on top of a card of the opposite color and higher rank.You can move the top card of the waste card to the tableau if it is an allowed move: either one rank down and of opposite suit, or a King to an empty column. Moving cards from waste to tableau: Cards are move 3 at a time from the stock pile into the waste pile.When the stock runs out, you can click and refill the stock pile again from the waste cards. Moving cards from the stock pile to the waste: You can move cards from stock to the waste pile.If a column is empty, no cards can be placed there other than a King. Only Kings can move into empty columns.For example, a Queen of Spades can be played on a King of Hearts or Diamonds, but not on a King of Clubs or any card that has a lower ranking. A card can be moved on top of another card if they are of the opposite color and one rank lower.Reveal them by moving face-up cards above them to other tableau areas. Cards that are face down are unavailable to move. Successfully placing all 52 cards in the foundation win the game. Foundation: These are 4 piles where you aim to move playable cards in order from Ace to King by suit.Once all cards are turned over, the remaining cards in the waste pile that haven't been moved to either the tableau or foundation can be redrawn from the stock pile in the same order. The top card of the waste pile can be played into the foundation or tableau if allowed. Waste pile: If cards from the stock pile are not used, they are placed into a waste pile.Stock pile: The remaining cards, or 24 in total, go here and are then dealt into the waste pile 3 at a time.Each card starts face down, except the last card in each column, which is face up. Tableau: This area consists of seven columns of 28 cards, with the first column containing one card and each subsequent column containing one additional card.There are four main areas in a game of solitaire: Stack cards of opposite colors in descending order to help arrange the tableau and flip over face-down cards. Arrange all of the cards into four foundation piles, one for each suit, ascending from Ace to King. The final time " I Love You" (this video has both languages) was sung at the beginning.The first appearance of the 1990-1991 Barney doll.The first video to show Barney eating vegetables other than a PBJ sandwich as shown in A Day at the Beach.The only time, the song " I'm Being Eaten By a Tyrannosaurus Rex“ was mentioned and never again in other Barney Home Videos after this video due to the possibility being too scary for children.The second video to show Barney going to sleep as shown in Waiting for Santa.Unlike other videos, this is only video to have one of the members of The Backyard Gang use their imagination in a dream.Jeffrey replaces Adam, as the actor, Alexander Jhin, who portrays Adam fell ill.The only appearances of Jeffrey, Luci and Tina's Mom, and The Bear.The final video until Play with Barney to not have " I Love You" sung at the end of the video.According to Jess Nelson, the reason why the smile is more prominent on the Barney Doll in this video only is because the studio decided to use a white strip of tape.In this video, the Backyard Gang Doll that was used is slightly bigger than one sent through the "Fan Club" possibly a prototype or a studio doll only meant for this video similar to the 1988-1989 doll for the first trilogy.Although the cover and tape label refer to this video, "Barney's Campfire Sing-Along", the actual title is just simply "Campfire Sing-Along".The Bear's Cave from "Campfire Sing-Along" Trivia **Only sung in this video and no other Barney Home Videos afterwardsįilming for this video took place in-between March and April 1990 during spring break at ColorDynamics in Allen, Texas. *Plays instrumentally during the end credits " I'm Being Eaten By a Tyrannosaurus Rex"**.The Bear (Voice: Bob West, Costume: Philip Parker).Barney (Voice: Bob West, Costume: David Voss).After the trip is over, Tina wakes up and realizes it was all just a dream - and a magical one at that. Back at the campfire, songs are sung around it, and everyone learns how to make s'mores. Barney and his friends even explore a cave where The Bear lives. Thanks to Barney's advice earlier of "Stay where you are, hug a tree, and blow your whistle!", everyone finds Tina and the gang continue onto more campfire fun. In the mist of things, a storm comes around and Tina gets lost in the woods. Barney takes his friends through different fun experiences from pitching tents to having a snack. After Tina falls asleep, she dreams about a camping trip with Barney and the rest of the Backyard Gang. After listening to a story about camping read by Tina's mother, she wishes that she could go camping someday. All Siibabean males, the grouping of bodies spoke to a massacre. We rounded a corner and came upon the remains site, older than the deserted camp. We heard sounds ahead, shouted commands and vehicle engines. I was glad my backpack held only the day’s necessities and was not a burden for him. With determined strength, Karlyhi hobbled behind us. Hakulupe Le scribbled a note and fastened it with the photo onto the stump that had been his station. “You must,” Hakulupe Le said, “so he saves face.” He held out his other hand in a curt gesture, indicating that I should give him the backpack. He stood to place a hand-made crutch under his arm, and slung the karkar over his shoulder. He glanced over my backpack while he chewed and looked at the photo. His expression changed, but he saw my smile and looked away. I took an energy bar from my pack, broke it in half, and bit into one section. Karlyhi calmly shook his head in the negative. Wisps of sandy hair had come loose from the binding cord. My canvas shoes had lost their shape from the needed walking. My jacket and skirt were caked with road dirt. While Hakulupe Le talked, Karlyhi considered me. Then I lost her meaning in the stream of strange words. “This is Edna Edwina Greensboro, a Softcheeks doctor,” she began. Karlyhi frowned at the photo that Hakulupe Le showed him. “If his mother returns, which she won’t, she can find him at the hospital.” “Leave this photo with a note,” I instructed. e square print rolled from the camera’s front. I took a disposable camera from my backpack and clicked Karly- hi’s photo before he could object. His mother sat him here to wait until she returns. “He should come with us to the hospital.” She turned back, fixing me with forest-green eyes. She was age twenty, hair coiled at her neck and a linen skirt hanging to her ankles. Hakulupe Le approached him speaking in his dialect. A karkar waited nearby boy soldiers were never without their automatics even when ammunition was scarce. A sheen of sweat made his dark skin glisten. Deep-set eyes watched us while he shooed insects by swishing a makeshift grass fan over a long gash on his leg. Perhaps age fourteen, he wore ripped dungarees and a ragged tunic. We saw him sitting on a stump by the road. I saw discarded gallon containers of molded plastic, mis- matched hemp-soled shoes, and damaged guns. Black insects buzzed near tent poles in the haze of heat. The stench was nauseating not of death since morgue crews had passed this way, but of human and animal offal. I had a lorry full of supplies waiting for the drive to my bush clinic. I was looking for an exit, any excuse to call the duty complete. This local medical work slowed my research. “THE WHITE SKY OVER MEKUCOO LAND IS SO DIFFERENT FROM the golden savannah,” Hakulupe Le said as we walked together in the humid afternoon. It contains a bit of sci-fi with a different world and a little fantasy with the lizard familiars. This book is recommended for fans of tribal stories, stories about women fighting for a place and recognition in a world dominated by men. There are some trigger scenes the reader should be aware of but nothing too graphic. I thought that livened the story up a bit. I also enjoyed the three ‘gualareps’, described as familiars, with their personalities and ways of communicating. I didn’t really connect to Edwina, though I think that was the point as that world also didn’t, but I did have sympathy for Brianna. The story is written well, but I found it a bit slow. They have opposite views but the same journey, trying to understand and fit in the other world. Then we switch to Brianna, who is from the tribes and knows the traditions and her adjustments as she learns the new ways. Firstly we follow Dr Edwina’s viewpoint as she learns about these communities and the struggles she has as a woman in them. The laws and traditions make little sense to the western world but are their way of life. Though set in a different world, it very much reminded me of Africa and the tribes within it. Brianna is a young local girl who, with Edwina’s help, learns her talents and that there is much more to the world than she had believed. Bonding to two gualareps, large lizard-type creatures as companions, she navigates the world as best she can. With tribal laws and customs, where men are warriors and women are sidelined. Doing research on curing local illness and saving lives where she can from her bush clinic, she has to learn to navigate this world. In a time when Earth has discovered the means to travel to other worlds, Dr Edwina Greensboro finds herself looking at the white sky over Mekucoo land. |
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